May 232013

Tarbut Sefarad, announces the creation of The Jewish Association of Fine Artists of Spain. The initiative belongs to Mario Saban, president of Tarbut Sefarad and Santiago Raigorodsky, director of Tarbut Arte, with the support of Alba Andreu, president of Tarbut Barcelona and many other […]

Apr 082013

“Books are the only place in the house where one can be at peace” Julio Cortásar   por Oscar Cusano, writer and critic   Man has always reached towards quietness, the balance of tranquility, that is to say, the perception of harmony is understood […]

May 212011

Mara Athanasiosby Dan Caragea

If  my memory doesn’t fail me, I do not know, in all art history, of an artist in whose genesis did not lay the fertile kernel of another artist, like seed of inspiration and interior aesthetical blossom. The beginning of any creator is partly epigonic, partly a gesture of breaking away from his  teacher.  One cannot renew anything without having experienced the nuisance of “the exercises of admiration” and whoever thinks otherwise is either blind or lying to himself.


Mara Athanasios’ universe of ideas originates from Romeo Niram’s Humanography. She  assumes this openly as two of her photographies are proposed as explicit links to the painter’s work. Apart from these “replicas”, she opens a door in which the feminine mystery, the   accentuated shadows, the lingerie, the hidden face, the intimacy closed in ephemeral gestures, the black and the red, the photographic instance are elements that allow us comparative   reflections.


Mar 012011

Helsinki, Jean Marc Caraccipor Héctor Martínez Sanz

The Project “Homo Urbanus Europeanus” (HUE) is the fruit of 3 years of work and has already been exhibited in 31 European capitals. His author, the photographic artist Jean Marc Caracci, has covered the urban places of the European man in the same way that an archeologist searches for, digs up and tries to reconstruct the primitive spaces of the first humanoids. Nevertheless, neither vessels, spear heads nor rupestrian paintings are brought to light – maybe some graffiti and street painting – but spaces which are still present in front of the lens and of the human eye. This regards the “homo sapiens” who lives in geometrical spaces formed by rectilinear lines, parallels and angles which transform themselves into lights and shadows that may afterwards recreate them. This regards us, the Europeans.

Mar 012011

Eran Eisenby Héctor Martínez Sanz

In 2000, Eran Eisen published his book of poems Between Us, a biographical versified essay on romantic experiences. I read several of these poems in Niram Art magazine (Nº15-16), 9 years after their publication. More than ever, I found precision of the expression and of the use of language. Eran Eisen exemplifies with his poetry the constant battle of the poem with the word, the struggle between emotion and reason. And it is not casual, as one is about to discover.

Eran Eisen is a genuine strategist of writing. In Present You, his business website, I found a text entitled “Business Writing”, in which he pedagogically instructs us on the use of the expression and language and their consequences on our objectives. This is where one understands that writing can be a powerful tool when properly mastered.