Mar 022011
 

Marius Daniel PopescuBiobibliografie: Marius Daniel Popescu, nascut in 1963 la Craiova,  s-a stabilit din  1990 la Laussane, in Elvetia. Student la Facultatea de Silvicultura din Brasov, MDP, care urmase initial Scoala de silvicultura de la Brasov, a fost atras de literatura si a fost un apropiat al grupului de la Brasov , format pe atunci din Alexandru Musina, Gheorghe Craciun, Marius Oprea, Andrei Bodiu, Caius Dobrescu si Simona Popescu. Pana la plecarea din tara a scris patru volume de poezie, iar dupa emigrare, primul volum pe care l-a scos a fost tot de versuri, “4×4, poemes tout terrains” (1995), pentru care primeste premiul „Rilke”. “Simfonia lupului” este romanul cu care a obtinut premiul  “Robert Walser”, in valoare de 20.000 de euro, care se acorda, din 1978, de municipalitatea orasului Biel/Bienne, locul de nastere al celebrului scriitor Robert Walser (15 aprilie 1878 – 25 decembrie 1956).

 

Mar 022011
 


Severin Constantin„Arta este oglinda magica pe care o cream pentru a transforma visele invizibile in imagini vizibile.

Pentru a ne vedea chipul folosim o oglinda; operele de arta le folosim pentru a ne vedea sufletul”George Bernard Shaw

de Gheorghe A. Stroia

Poet, publicist si artist plastic, membru al Uniunii Scriitorilor din Romania, Constantin Severin s-a nascut in 1952, in Baia de Arama. Absolva, in 1977, Facultatea de Chimie si Ingi­ne­rie Chimica a Institutului Politehnic din Iasi. Face studii postuniversitare de Economie si democratie (Croatia, 1991, bursa Soros) si Societate si cultura (Suedia, 1993, bursa finantata de guvernul Suediei). Dintre cele mai cunoscute scrieri titluri ale sale, amintim: Duminica realului (Editura Junimea, Iasi – 1984); Zid si neutrino (Editura Vlasie, Pitesti – 1994); Wall and Neutrino (Editura Minerva Press, Londra, 1997 – tradu­cere de Liviu Martinescu); Improvizatii pe cifraj armonic (Editura Axa, Botosani – 1998); Axolotul (Editura Masina de Scris, Bucuresti – 1998) ; Orasul Alchimic (Editura Dacia, Cluj-Napoca – 2002); Imperiul Sacru. Manastiri si biserici din nordul Moldovei (Editura Paralela 45, Pitesti – 2003).

Mar 012011
 

 

 

15 personas, 3 países, 2 idiomas

Recital de poesías de Eran Eisen con la participación de artistas plásticos, escritores, poetas, promotores culturales ( (Bogdan Ater, Héctor Martínez Sanz, António Calderón de Jesús, Eva Defeses, Miguel Angel Galán Segovia, Fabianni Belemuski, Romeo Niram y muchos más).

Mar 012011
 

Eran Eisenby Héctor Martínez Sanz

In 2000, Eran Eisen published his book of poems Between Us, a biographical versified essay on romantic experiences. I read several of these poems in Niram Art magazine (Nº15-16), 9 years after their publication. More than ever, I found precision of the expression and of the use of language. Eran Eisen exemplifies with his poetry the constant battle of the poem with the word, the struggle between emotion and reason. And it is not casual, as one is about to discover.

Eran Eisen is a genuine strategist of writing. In Present You, his business website, I found a text entitled “Business Writing”, in which he pedagogically instructs us on the use of the expression and language and their consequences on our objectives. This is where one understands that writing can be a powerful tool when properly mastered.

Mar 012011
 

Helsinki, Jean Marc Caraccipor Héctor Martínez Sanz

The Project “Homo Urbanus Europeanus” (HUE) is the fruit of 3 years of work and has already been exhibited in 31 European capitals. His author, the photographic artist Jean Marc Caracci, has covered the urban places of the European man in the same way that an archeologist searches for, digs up and tries to reconstruct the primitive spaces of the first humanoids. Nevertheless, neither vessels, spear heads nor rupestrian paintings are brought to light – maybe some graffiti and street painting – but spaces which are still present in front of the lens and of the human eye. This regards the “homo sapiens” who lives in geometrical spaces formed by rectilinear lines, parallels and angles which transform themselves into lights and shadows that may afterwards recreate them. This regards us, the Europeans.